Publications

Year

2026
2021
2016
2013
2009

Book Title

Essays
Forays
Arrays
Corrections & Collections
Los Angeles | The Architecture
of Four Ecologies

Author

Joe Day
Joe Day
Joe Day
Joe Day
Reyner Banham /
foreward by Joe Day

Year

2026
2026
2025
2025
2023
2022

2022
2019
2017

2017
2015
2015
2014
2014
2013
2013
2012
2011
2011

2011
2010
2010
2010
2010
2009
2008
2008
2005
2004
2004
2003
2001

Press Title

Places Journal // Museums and Megastructures
Log // My Pythagorean Pandemic
Log // A Brut Nouveau?
Wallpaper
GA Houses // 4/Way House
Dezeen // 4/Way House by Deegan-Day
responds to “allure and danger” of LA site
ARCHITECT // 4/WAY HOUSE TOPANGA, CA
Sessions// Fifth Elements
ARCHITECT // Media Center at Columbia College Hollywood
Places Journal // Spires and Gyres
AZURE // Under the Blue Sky
Places Journal // The iUrbanisms of Los Angeles
KCRW // Prisons
The Architectural Review // The Big House
Project // Holding Patterns
Places Journal // Corrections and Collections
Architecture // C-Glass House
LA/Tokyo Houses
Chinese & Overseas Architecture // Columbia College Hollywood
Architect // C-Glass House
SPA-DE // Blow x Blow
Deutsche Bauzeitung // Ornament Ist Nicht Nötig
SCI-Arc Gallery 2002-2010 // Blow x Blow
SCI-Arc Magazine // Own Your Revolution
Chinese & Overseas Architecture // Let Space Return
Arc CA // Sagewater Spa
Ish // Looking Italian Under the CA Sun
dwell // Dwell Home II: Making Modern Green
dwell // Way Out West
LA Times // Open communication
Praxis // Hedge: Architectural Design Cooperative
Loud Paper // Glitter Stucco and Supermodernism

Author

Joe Day
Joe Day
Joe Day
Simon Mills
Joe Day
Jenna Mcknight

Madeline D’Angelo
Joe Day
Joe Day & Barbra Bestor
Joe Day
Andrew Braithwaite
Joe Day
Frances Anderton
Raymund Ryan
Joe Day
Joe Day
Design Bureau
Joe Day
Bradley Wheeler

Sara Hart
Yasuhiko Taguchi
E.O. Moss & Joe Day
Joe Day
Joe Day
LIU Wei & B. Wheeler
Joe Day
Bradley Wheeler
A. Bravo & A. Wagner
Raul Barrenche
Tina Daunt
Ashley Schafer
Joe Day

DDD&A

Architect: The AIA Journal (vol. 106 no. 2)